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Gone Soon

by Duncan Pelletier

supported by
Gabriel Chandler
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Gabriel Chandler The whole thing is killing, but the bass on Take Me... Favorite track: Take Me.
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1.
Better Off 03:22
We opened a door that should have stayed Sealed up tight and locked away Enough to make you turn around, maybe try another day But behind your eager eyes About the color of the moon It’s clearer every moment you’ll be gone soon We’re both probably better off We’re both probably better off Thought we were martyrs for the cause Just smiling through the pain Waiting idle for the circumstance to change But the truth can throw you off To see how little that we felt It wouldn’t be that way with anybody else We’re both probably better off We’re both probably better off
2.
What’s dead is dead and what’s gone is gone Time kicked out the crutch that I was leaning on And the endless black highway Stretches far and stretches wide Littered with the ghosts I cast aside Whatever happened then might be the last thing on my mind I feel almost nothing when I think of you sometimes Can you still keep a secret? Do you know when you’ve just heard Famous last words? Are the days gone now? Will the memories fit? Will the newer circumstance ever catch up to it? Will the highs fly by? Will the lows go slow? Will I finally see enough to really know? Whatever happened then might be the last thing on my mind I feel almost nothing when I think of you sometimes Can you still keep a secret? Do you know when you’ve just heard Famous last words? It’s not the same without the pain, without the second guessing Every moment that I missed We’ll never change without the pain and these unanswered questions It’s all leading up to this Whatever happened then might be the last thing on my mind I feel almost nothing when I think of you sometimes Can you still keep a secret? Do you know when you’ve just heard Famous last words?
3.
Rolldown 03:41
Tell me another story, keep the moral extra clear I believe that if the point is worth making, it should be easy to get from there to here Other times I can let it wander; I can let it beat around the bush But if we’re losing time, I think it’s fine to give it just a little push Don’t you try to force the ending, don’t draw the characters all the same Just let it flow right out of you, hear it echoing your name Let it roll down with the rain It gets better the more you relate it to the listener, let them soak up the truth Don’t leave anybody hanging, if it’s boring, what’s the use? I’ve been telling the same tale for quite some time, make a weapon from my words And if I put a gun in the first act, it better go off in the third Don’t you try to force the ending, don’t draw the characters all the same Just let it flow right out of you, hear it echoing your name Let it roll down with the rain Down, the ways we set the sun, the conflict resolution You won’t get the twist until it’s over and done Up, we cry to history, believing all you speak to me We’re all drowning to connect with anyone Don’t you try to force the ending, don’t draw the characters all the same Just let it flow right out of you, hear it echoing your name Let it roll down with the rain Let it roll down with the rain Let it roll down with the rain Let it roll down
4.
Close Call 03:12
Is anything worth it anymore? And does it even matter to me? The point of it all’s getting harder and harder to see I left so much behind to be absorbed by someone else It’s a perfect monument to feeling sorry for myself Well the best years of my life, they never came, they’ll never come And it’s too late to force it with a daughter or a son I’ll be the father who’s content to light it up and let it burn And that’s much too dark a lesson for that kid to learn Every time the phone rings, I can barely breathe It doesn’t matter if it’s a friend, or a debt collection agency They’re both the same in that they force me to reckon with my bitter past I wonder how much longer I can last Everyone’s reeling from trying to capture the feeling Anywhere that you can get it can save you from a close call But seeing is most of the way to believing Just forget it, I wonder why I said it at all
5.
Clear 03:12
Here’s a hope that I brought along to relieve the one you’ve been beating on A notion dug into the ground Maybe now we can make a mile, or just sit back and wait awhile Welcome all the fever we have found Maybe I’m wrong, maybe I lost again Maybe I’ll never be quite the same as I was back then Maybe it’s done, maybe we’re in the clear Maybe we’ll never quite figure out what I’m still doing here What I’m still doing here Even now when I’m thinking back to the moment we slipped off the track Things are slowly coming into views Fights that we assumed we won, and miscommunication The overwhelming fear of something new Maybe I’m wrong, maybe I lost again Maybe I’ll never be quite the same as I was back then Maybe it’s done, maybe we’re in the clear Maybe we’ll never quite figure out what I’m still doing here What I’m still doing here The days we let the clock run out are getting easier to think about now The nights we let the moments hang, will always feel so strange, anyhow
6.
The Fall 03:01
I couldn’t give much of a shit as I leaned and I spit off the railing I’m pretty damn sure I can’t prepare anymore for failing Across the tops of all the churches, the overwhelming urges I feel I’m ready for the fall In fact I’m pretty damn sure I couldn’t prepare anymore at all Sometimes I feel like I’m not here, it’s getting weirder every year, sincerely And all the slow and golden days, well I don’t think that I can say I’ll miss them dearly All the time I thought I needed relentlessly receded, rotten from the inside I’m pretty damn sure I couldn’t prepare anymore if I tried From long before, I know there’s a door, it’s closing at the end And I believe it’s not opening again Try to keep my shoulders square, against the chill that’s in the air, I’m pacing I stopped looking for a spark out in the cold and all that dark I’ll be facing And I’m not here to stop the bleeding, or history repeating But Jesus man, it’s getting tough And I’m starting to get scared, maybe I can’t prepare enough
7.
Take Me 03:34
History’s eyes are on me It’s knocking at my door And I can’t even look myself in the goddamn face anymore And if it’s gonna kill me I’m already dead I’m already in the ground Leave me, put me to bed History’s eyes are on me It’s heavy on my mind It’s getting hard to keep it under control while I wait for the next time It’s always coming slowly It’s always getting close It’s always ready to burrow down deep and feed off the host I coulda sworn, but it’s nothing It was here and now it’s gone I was born, born into something Something dying all along History’s eyes are on me It’s begging on the street Now I’m thinking I can never wash off that stench of defeat The moment that you notice The second that you see I’ll be standing with arms stretched out saying don’t take them take me take me
8.
Temptation 04:05
Believe in what you think is true, it could be the only thing you hold onto Could be the only dream you dare to keep, as you lie awake and pray for sleep Don’t give into temptation, don’t try a fix before it starts to break And every time you try to stay alive, you’ll find that every sign Will lead you to the chance you take Something has changed you I don’t listen to the black and white, nothing is ever that easy I don’t put faith in the process unless I find a little faith in me Don’t give into temptation, don’t give up hope if it’s not over yet It’s a longer road than any one you know And all you have is only what you get Something has changed you Something has changed
9.
She looked at me and smiled like her lips were getting sore She took me by the hand and led me to a place I know she’d been before The moments lined up, all the timing that it took Years and years of searching, now I know just where to look In the lost and found In the lost and found Those same old questions now There’s a shallow understanding of the bridges that we burned I couldn’t keep from talking, all to justify the stupid things I’d learned Unbelievable how little I could see Years and years of searching Now I think I know exactly where I’ll be In the lost and found In the lost and found With the same old questions now Now and then and over again The lines we cross, all blurry getting lost And so we’re bound, waiting to be found In the lost and found In the lost and found With the same old questions now
10.
Nonbeliever 02:48
Will I look back with anger and regret? Or sit and let it burn me like a fever Will I see it changed me fundamentally from a skeptic to a true believer? Will I carve a gravestone for that confidence? Or will that only muddy my intention? I will not forge a testament full of thoughts too dark to mention Now I’ve got a good old-fashioned feeling that it’s gonna come down to the wire Then a gruesome transformation, like a phoenix from a fire So don’t wait for me to come to you, as if this whole time I’ve been learning I just wanted something to look forward to besides the feeling of the burning When you venture out, come and see I hope that time’s not done with me I hope that time’s not done with me this close to the end When you venture out, let me know I hope that time won’t let me go I hope that time won’t let me go again Will I look back with anger and regret? Or sit and let it burn me like a fever No, it did not change me fundamentally I remain a skeptic and a non-believer

credits

released March 24, 2021

Duncan Pelletier – vocals, acoustic and electric guitars, ukulele, bass, keyboards, percussion, drum programming
Ned Rich – electric guitar, drum programming
Jonah Bruce – tenor sax, congas (track 3)
Garrett Cameron – alto sax (track 3)
Geoffrey DeBree – alto sax (track 8)
Jon Abrams – keyboards (track 7, 8)
Chris Reilly - bass (track 7)

Produced by Duncan Pelletier & Ned Rich
Mixed by Ned Rich

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Duncan Pelletier Portland, Maine

Maine-based singer/songwriter Duncan Pelletier has been making music for over a decade in various capacities. As a solo artist, studio musician, and live theater composer, Pelletier tactfully weaves together elements of soft rock, blue-eyed soul, and traditional pop, resulting in a sound that benefits from influence while feeling uniquely his own. ... more

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